Weinberg’s “The Passenger” proves a powerful experience in New York
Fri Jul 11, 2014 at 11:43 am
![11082[19995]](https://newyorkclassicalreview.com/wp-content/uploads/2014/07/1108219995.jpg)
Michelle Breedt (foreground left) and Melody Moore in Houston Grand Opera’s production of “The Passenger.” Photo: Stephanie Berger
Read the review of last night’s performance on New York Classical Review.
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