Weinberg’s “The Passenger” proves a powerful experience in New York

Fri Jul 11, 2014 at 11:43 am

By Lawrence A. Johnson

Michelle Breedt (foreground left) and Melody Moore in Houston Grand Opera’s production of “The Passenger.” Photo: Stephanie Berger 

Mieczyslaw Weinberg’s The Passenger will come to the Lyric Opera of Chicago next February. The Houston Grand Opera production of the haunting Holocaust tale traveled to the Lincoln Center Festival this week, opening for a three-night run on Thursday.

Read the review of last night’s performance on New York Classical Review.

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