Ravinia may jettison music director post after Conlon, says Kauffman

Sun Jul 19, 2015 at 2:47 pm

By Wynne Delacoma

Welz Kauffman
Welz Kauffman

The Ravinia Festival isn’t rushing to name a successor to James Conlon, who begins his final concerts as Ravinia’s music director Wednesday night. In fact, Ravinia chief Welz Kauffman is floating the idea that the venerable summer music festival may elect to go without a music director at all, for the first time in fifty years.

The move is not unprecedented. In 1936 the Chicago Symphony Orchestra made Ravinia its official summer home, and the festival operated without a regular music director for 28 years. Ravinia’s chief executives hired conductors and planned seasons. That changed in 1964 when Seiji Ozawa became the festival’s first music director, followed by James Levine (1973-93), Christoph Eschenbach (1994-2003) and Conlon.

Traditionally, Ravinia has fielded an international conductor to provide artistic direction, oversee repertoire choices for classical events, and lead most Chicago Symphony Orchestra concerts.

But much has changed at Ravinia under the tenures of Conlon and president and CEO Kauffman. In 2007, for example, Conlon conducted 12 of the CSO’s 17 concerts; this year he conducts just five of 16. Six of this summer’s CSO’s concerts feature movie music, Broadway or jazz. (Conlon was also closely involved in Ravinia’s increased emphasis on reaching audiences beyond its Highland Park campus and in music education, which the festival CEO wants to continue.)

Maybe, Kauffman suggests, it’s time to radically reconsider the post of music director altogether.

“I don’t have a timetable, and we don’t have a search committee,” said Kauffman. “We didn’t have a search committee the last time around [with Conlon] or the time before that. And we didn’t have one with Levine.” Levine’s two decades as music director marked an artistic high point for the festival.

Ravinia has also seen a broader sea change in its mission from the time when the festival existed primarily as the summer home and showcase for the Chicago Symphony Orchestra with classical events as the main attractions. While there are still CSO evenings of standard classical fare, most of the festival’s core classical programming is now concentrated on recitals and chamber music.

Today, the festival’s primary focus is on pop music, which attracts Ravinia’s largest crowds. That shift has also affected CSO’s programming, which now typically feature film music or familiar blockbusters like Tchaikovsky’s 1812 Overture.

Filling Ravinia’s 3,500-seat pavilion for concerts of unfamiliar classical repertoire has proven increasingly difficult in recent decades.

“Here we are in 2015,” said Kauffman. “Let’s look at the practical parts of it. How many concerts would a principal conductor/music director actually conduct in any given season? Does that number warrant the title?

“You have audiences clamoring to see the talent that’s out there. I get that all the time from newbies coming to classical music who read about [conductors] like Susanna Mälkki or Mei-Ann Chen. There’s all this excitement around them. It’s not that audiences don’t want to see the same person on the podium, but they know that at Ravinia our time is short. And let’s see new people, let’s see what they bring to the table.”

Kauffman said the Ojai Music Festival in California offers an alternative to consider for Ravinia, where a different music director oversees the festival’s offerings each season.

“A musical curator,” said Kauffman, “someone who comes in for one year perhaps. Isn’t there something kind of exciting that someone could come in and talk about pop programming and jazz programming as well as chamber music recitals and what goes on at the CSO? For one summer?

[They could] start working three years in advance, and we’d see what comes of it. I think we should explore that model.”

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7 Responses to “Ravinia may jettison music director post after Conlon, says Kauffman”

  1. Posted Jul 20, 2015 at 9:18 am by Ron Pine

    Alas. Very sad. How does one mount a creative and challenging music festival without an Artistic/Music Director at the helm? That is akin to the orchestra being like a blind man in a dark room looking for a black hat that’s not there.

  2. Posted Jul 21, 2015 at 9:29 am by Brad

    Ravinia is a beautiful venue, but the CSO’s presence has diminished in recent seasons. With management now signaling that they might not even appoint another Music Director, perhaps it’s time for the Orchestra to find a new, more appreciative summer home. Somewhere in DuPage county could make a lot of sense.

  3. Posted Jul 21, 2015 at 3:15 pm by Roland Buck

    Perhaps the Chicago Symphony would do better during the Summer if a majority of its concerts were held at Orchestra hall, with its more central location, than Ravinia, and it limited itself to giving only a few pops concerts, including the movie concerts, at Ravinia.

  4. Posted Jul 23, 2015 at 2:56 am by Greg Tiwidichitch

    The music director is the artistic director and as such plans the artistic direction like repertoire and guest soloists. The executive director is not qualified to do this job so if there is no music director, who would do it?

    I think if they bring in conductors and let the executive director plan the season and select guest artists, then there should be guest executive directors each week and the music directors should plan the budget, fundraise, and plan logistics. The door can’t just swing only one way. EDs should stay out of artistic decisions and MDs can stay out of administrative decisions. Fair enough?

  5. Posted Jul 23, 2015 at 8:39 am by Barry

    I think the model of a music director position where the director changes annually is an exciting one. A musical curator, as Mr Kauffman says. That could lead to some fascinating and original seasons of music-making.

  6. Posted Jul 26, 2015 at 5:29 pm by William A Fleig

    My wife and I have been attending fewer and fewer performances in recent years as the programming has grown less and less appealing to us. We certainly wish Ravinia well in the future, though it looks as if our family will be saving a lot of money—and after all, that’s what it’s all about, isn’t it?

  7. Posted Aug 25, 2015 at 11:43 am by Tod Verklärung

    On the basis of the new preliminary announcement of the 2016 season, Beethoven (and Kukla, Fran, and Ollie) could have been the “curators.” In that event the curators will need a cure. If this is the new direction of Ravinia, it is well on its way to cultural irrelevance.

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